Jessie has recently moved her blog and deleted many of the photos I have posted on my blog (you won’t find those anywhere else…).
I archived only so many of those on the
Wayback Machine, and she has deleted many from her new blog, including these:
Which includes
following piece from the Kyoto Shinbun, a local newspaper collaborating with
the CIA and 公安庁)
posted on her old blog as follows.
That image and a part of the newspaper article were logged on this website, but the link to the full article doesn't work:
http://www.47news.jp/photo/1212420.php
The third image is from a recital of some sort (likely held by Yoshimura, center front: suspected Ko-an-cho (公安庁) operative (工作者: website: http://kunjuan.jp/)) featuring the Yamada-ryu strings group in Kobe and with participation by two people (seated between Yoshimura and Jessie) from the Nara shakuhachi group to which I have belonged for the past 10 years or so, as well as an individual whom Jessie advertises/promtes on her blog (in the typical mutual support/promotion practice used by the intelligence operatives infiltrated into civil society as otherwise documented on this blog) named Ramie Yamaguchi (standing, far left) who is another student of Yoshimura’s and a suspected next-generation Ko-an-sho operative about whom I will blog soon: http://raimei.syakuhati.com/index.html). http://web.archive.org/web/20171015184213/http://livedoor.blogimg.jp/hogakuisshin/imgs/7/9/7927e091.jpg
http://www.47news.jp/photo/1212420.php
The third image is from a recital of some sort (likely held by Yoshimura, center front: suspected Ko-an-cho (公安庁) operative (工作者: website: http://kunjuan.jp/)) featuring the Yamada-ryu strings group in Kobe and with participation by two people (seated between Yoshimura and Jessie) from the Nara shakuhachi group to which I have belonged for the past 10 years or so, as well as an individual whom Jessie advertises/promtes on her blog (in the typical mutual support/promotion practice used by the intelligence operatives infiltrated into civil society as otherwise documented on this blog) named Ramie Yamaguchi (standing, far left) who is another student of Yoshimura’s and a suspected next-generation Ko-an-sho operative about whom I will blog soon: http://raimei.syakuhati.com/index.html). http://web.archive.org/web/20171015184213/http://livedoor.blogimg.jp/hogakuisshin/imgs/7/9/7927e091.jpg
This is a list of all URLs archived for that blog (ignore those from this month, October 2017): http://web.archive.org/web/*/http://ameblo.jp/hogaku-isshin/*
A fair amount of
the otherwise hidden data (due to the misdirection to the new blog) can be
accessed from those links, which I have now taken the time to personally
archive… She has perhaps been directed to move the blog to attempt to cover up
the role of Kyoto Shinbun, which has promoted other CIA et al. operatives that
I haven’t had time to blog about…
These two screenshots (not archived) are from an early downloading of a page from her blog (post of July 15, 2014), which includes a description in English of her so-called traditional Japanese music group “Hougaku-Isshin” (apparently defunct). It also lists her performing for NHK as a Tozan-ryu player (using the stage name “Jessie Fujun”).
These two screenshots (not archived) are from an early downloading of a page from her blog (post of July 15, 2014), which includes a description in English of her so-called traditional Japanese music group “Hougaku-Isshin” (apparently defunct). It also lists her performing for NHK as a Tozan-ryu player (using the stage name “Jessie Fujun”).
She has deleted
her biographical profile:
In that she profile she states that she came to Japan in 2004, and started studying Bushido (“the way of the warrior”).
As well as the
record of her shakuhachi related activities, of which one page from 2015 was
archived:
By clicking on the bottom image from the post about her Tozan-ryu teacher (茅原先生) on this page:
What I want to focus on here, however, is the NHK angle. Jessie has been filmed by Japanese public broadcaster NHK for a couple of pieces that have unfortunately been removed from their website and no copies available online, but I have a few screenshot traces from her blog, etc., that demonstrate their existence. In fact, she has placed some of the relevant material on her new blog, but you will not find a recording of her playing the shakuhachi anywhere.
She has posted a
link on her blog to an episode called “Traditional Musical Instruments: Eternal
Tones Waft through the Ancient Capital” from a series on NHK about Kyoto in
which she apparently appeared. The video is no longer available:
But this is a
remnant:
NHK seems to have
archiving blocked for some of these pages, so I’ll post an enlargement of that
photo.
Current episodes
from the series can be seen here: https://www3.nhk.or.jp/nhkworld/en/vod/corekyoto/
The TV video was 28 minutes
long…
NHK is a citizen-subscriber
(mandatory payment if you own a TV) funded public broadcaster that has been
shaken by scandals for overt political bias in recent years (the scandals
surrounding Shinzo Abe and Momii (https://www.japantimes.co.jp/news/2016/12/02/national/beleaguered-nhk-chief-momii-unlikely-get-nod-second-term/#.WeTps2hL-Uk,
https://www.japantimes.co.jp/news/2016/02/23/national/nhk-execs-to-return-pay-over-embezzlement-scandal/#.WeTqk2hL-Uk)),
and most recently by the ka-ro-shi death (death by overworking) of a female
employee.
Here, however, the focus is their use by the LDP to promote intelligence operatives to the public. The subject of the next post will be another such individual.
Here, however, the focus is their use by the LDP to promote intelligence operatives to the public. The subject of the next post will be another such individual.
To wrap this up, she has recently blogs about being filmed for another TV program on another blog she keeps: http://blog.livedoor.jp/kyoto_kunjuan/. The program is produced by a cable TV company BS Japan, and is only in Japanese, the title translating as “Why I live in Japan” (http://www.bs-j.co.jp/nipponsumu/backnumber.html). There is a collection of @70 video episodes interviewing foreigners living in Japan posted on that page.
Such conspicuous media coverage, focused substantially entirely on images (whereas she is being promoted as a musician) leads one to wonder why there is so much interest in this unaccomplished, unremarkable individual. That is basically the same modus operandi seen with the likes of Sean Lotman, Jake Adelstein, etc.
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